# Miguel Poveda says he found an unpublished Lorca poem on the back of a manuscript

*Event date: 2026-04-16*

Spanish singer and collector Miguel Poveda says he has found an unpublished poem by Federico García Lorca written on the back of a manuscript, a discovery that adds a fresh fragment to the work of one of Spain’s best-known poets.

The report says the poem was hidden behind a manuscript Poveda bought from an antiquarian book dealer in Germany. It also says the text has been authenticated by Lorca specialist Pepa Merlo, who concluded that the writing was in Lorca’s hand. That combination of discovery and verification is what gives the find its significance: it is not just a curiosity, but a text that scholars believe can be attributed to the poet.

According to the report, the poem dates to 1933, when Lorca was 35 and already well established. The article places the newly found text in the period after *Poeta en Nueva York* and before Lorca’s later work linked to his planned travel to Buenos Aires. It also says the text appears behind a piece associated with *Diván del Tamarit*, which would make the manuscript an even more valuable archival object.

Poveda’s own role matters because he is not just a casual buyer. The report describes him as a flamenco singer with a long-standing fascination for Lorca and as someone involved in turning the poet’s childhood home into a cultural center. That helps explain why he was paying close attention to the manuscript in the first place and why the discovery is being presented as both scholarly and personal.

The report says the new poem is to appear in a book by Poveda and Merlo titled *Las cosas del otro lado. Lo inédito en Federico García Lorca*. That suggests the discovery will not remain confined to private collecting. Instead, it is moving into publication and study, where other readers and researchers can examine the text and its place in Lorca’s broader body of work.

The article also places the find within the wider Lorca legend. His last known text before his death is described as a letter written in Granada in July 1936, and the report ties the newly found poem to the themes Lorca often returned to: time, absence, return and emotional restraint. Those themes are central to how readers understand him, which helps explain why even a short unpublished poem carries cultural weight.

What makes the story noteworthy is not just that a poem surfaced, but that it surfaced in a way that connects manuscript history, expert authentication and contemporary cultural memory. For readers of Lorca, it adds another layer to a body of work long thought to be settled. For scholars, it opens another object for study. And for Poveda, it appears to be exactly what he called it: a gift from the heart.